The New York Post ON THE TOWN
Monday, October 30 1998
BY CLIVE BARNS
REACHING OUT: Edward Morgan in the Joffrey Ballet’s “Touch Me,” set to Rev. James Cleveland’s gospel music.
The remainder of the bill was all Arpino and, revealingly, all different. A major revival of the season is the solo “Touch Me,” which Arpino choreographed for the former Joffrey Dancer, Christian Holder, back in 1977.
It has only ever been danced by Holder and later Edward Morgan, lapsing from the repertory when Holder and then Morgan left. Morgan has now returned, and with him this unusual extended solo, to music by the gospel singer, the Rev. James Cleveland.
Its fervor and, indeed, its choreographic style has obviously been influenced by Alvin Ailey. Yet the odd mixture of exuberant reverence and loose-reined virtuosity is also quintessentially Arpino, and Morgan gives it with just the right brilliance and intensity.
Edward Morgan Pictured Below
“TRINITY’: Joffrey performs Arpino’s 1970 celebration of youth.
NEW YORK POST – Clive Barnes Dance Review
TUESDAY NOVEMBER 7, 1989
The current first cast led by Edward Morgan, Edward Stierle, Jodie Gates
and Tom Mossbrucker (another cast led by Morgan, Carl Corry, Tina LeBlanc and Peter Narbutas takes over the ballet this week) has just the right buoyant energy and ecumenical religious fervor to bring the ballet off.